Paintings featuring numbers or text break up a salon wall really well. Jack Burton's work feels playful, with numerals seemingly from a child's game of hopscotch incongruously placed over a densely saturated image of a beautiful tree. Jack's print is called a hybrid, in the sense that it begins as a digital print with two colours screenprinted over the top. A varnish overlay over the white beautifully picks up the light and makes the numbers pop out from the background. Kate Bryan, Soho House Head of Collections, says: 'I like Jack Burton's language because it's really peculiar but without ever closing you off - it's a bit surreal but there's a definite open entry, come in, play around with this image.' The Numbers by Jack Burton Archival Inkjet with two colour and varnish overlays on Somerset Satin 330gsm Paper Edition of 25 Cut Edge H60 x W42cm Pieces featured at Soho House 40 Greek Street and Redchurch Street Townhouse
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Jack Burton The Numbers
Paintings featuring numbers or text break up a salon wall really well. Jack Burton's work feels playful, with numerals seemingly from a child's game of hopscotch incongruously placed over a densely saturated image of a beautiful tree. Jack's print is called a hybrid, in the sense that it begins as a digital print with two colours screenprinted over the top. A varnish overlay over the white beautifully picks up the light and makes the numbers pop out from the background. Kate Bryan, Soho House Head of Collections, says: 'I like Jack Burton's language because it's really peculiar but without ever closing you off - it's a bit surreal but there's a definite open entry, come in, play around with this image.' The Numbers by Jack Burton Archival Inkjet with two colour and varnish overlays on Somerset Satin 330gsm Paper Edition of 25 Cut Edge H60 x W42cm Pieces featured at Soho House 40 Greek Street and Redchurch Street Townhouse