Julian Schnabel’s first New York solo show in 1979 led to overnight success. Since, he has gone on to work in a wide variety of media from sculpture to filmmaking. Creating boldly from everyday or surprising materials, Schnabel’s creations have involved broken plates, kabuki theater backdrops, and boxing ring floors. Taschen presents the complete collective of his work in unprecedented depth in this namemake monograph. Realized in collaboration with the artist, and curators and friends, among the book's highlights are Laurie Anderson’s painting of an intimate portrait of Schnabel, and Donatien Grau writing on the Palazzo Chupi, the artist’s extravagant home in New York’s West Village. A delightful volume, 'Julian Schnabel', edited by Hans Werner Holzwarth and Louise Kugelberg, is a necessary, comprehensive expression of Schnabel and his work.
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Julian Schnabel’s first New York solo show in 1979 led to overnight success. Since, he has gone on to work in a wide variety of media from sculpture to filmmaking. Creating boldly from everyday or surprising materials, Schnabel’s creations have involved broken plates, kabuki theater backdrops, and boxing ring floors. Taschen presents the complete collective of his work in unprecedented depth in this namemake monograph. Realized in collaboration with the artist, and curators and friends, among the book's highlights are Laurie Anderson’s painting of an intimate portrait of Schnabel, and Donatien Grau writing on the Palazzo Chupi, the artist’s extravagant home in New York’s West Village. A delightful volume, 'Julian Schnabel', edited by Hans Werner Holzwarth and Louise Kugelberg, is a necessary, comprehensive expression of Schnabel and his work.