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A study in balance and form, this Yohji Yamamoto Asymmetric Top in black cotton transforms simplicity into sculpture. Featuring a soft peplum that disrupts traditional tailoring, a high-low hem that shifts with movement, and short sleeves for ease, the piece offers a quiet tension between structure and flow. Finished with a classic round neck, it's an understated yet striking silhouette rooted in Yohji's avant-garde philosophy.Yohji Yamamoto Asymmetric Top in Black CottonCondition - ExcellentSigns of wear - No retail tag but Brand tag on., No visible sign of wear., Unused or used once, but as good as new.Packaging - NoneColor - blackMaterial - Cotton cottonSize - M 2Measurements - Length - 850; Chest - 450SKU - NAPPUGBCL544694W

Yohji Yamamoto Asymmetric Top In Black Cotton In Black
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First seen in Sep 2025
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YOHJI YAMAMOTO
Asymmetric Top In Black Cotton

$624 $266 (57% OFF)
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Yohji Yamamoto Asymmetric Top In Black Cotton In Black
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$624 $266 (57% OFF)
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Product Details
Yohji Yamamoto Asymmetric Top In Black Cotton

Asymmetric Top In Black Cotton

A study in balance and form, this Yohji Yamamoto Asymmetric Top in black cotton transforms simplicity into sculpture. Featuring a soft peplum that disrupts traditional tailoring, a high-low hem that shifts with movement, and short sleeves for ease, the piece offers a quiet tension between structure and flow. Finished with a classic round neck, it's an understated yet striking silhouette rooted in Yohji's avant-garde philosophy.Yohji Yamamoto Asymmetric Top in Black CottonCondition - ExcellentSigns of wear - No retail tag but Brand tag on., No visible sign of wear., Unused or used once, but as good as new.Packaging - NoneColor - blackMaterial - Cotton cottonSize - M 2Measurements - Length - 850; Chest - 450SKU - NAPPUGBCL544694W

about YOHJI YAMAMOTO
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Yohji Yamamoto launched his eponymous line in Tokyo in 1976, with the idea of creating men’s coats that could cover and protect a woman. He debuted his womenswear in Paris in 1981, with dramatic runway shows that furthered his reputation as an avant-garde visionary – although he prefers the title of “dressmaker” for its humble significance. Over the years, Yamamoto has refined his signature silhouette of long, sweeping skirts, expertly draped dresses and trousers, and asymmetrically cut tailoring in an all-black palette to achieve an at once challenging, romantic, and unconventionally elegant effect. His voluminous shapes at once conceal and intrigue, infusing artistic cuts with an intellectual and poetic sensibility indebted to Eastern philosophy.
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